SFFMP 144: Breaking Six Figures as an Author – What Does It Take?

It’s a long show today, but we covered a lot of ground, so hopefully you’ll find it interesting. We discussed last year’s Author Earnings report that showed how many authors were making over $100,000 a year at Amazon.com, and we also talked about the findings of a survey by Written Word Media that came out a couple of months ago, giving the lowdown on habits of six-figures authors (i.e. how many books out, how long it took to get there, how much they’re paying for editors and cover art, etc.)

Here are some specifics from the crib sheet (click the links to the reports to read them in far more detail):

May 2016 Author Earnings Report (http://authorearnings.com/report/may-2016-report/):

Based on print, audio, and ebook of the Amazon US store only:

  • 1,340 authors are earning $100,000/year or more from Amazon sales. But half of them are indies and Amazon-imprint authors. The majority of the remainder? They come from traditional publishing’s longest-tenured “old guard.”
  • Fewer than 115 Big Five-published authorsand 45 small- or medium-publisher authors who debuted in the past five years are currently earning $100K/year from Amazon sales. Among indie authors of the same tenure, more than 425 of them are now at a six-figure run rate.
  • More than 50% of all traditionally published book sales of any format in the US now happen on Amazon.com.
  • 85% of all non-traditionally published book sales of any format in the US also happen on Amazon.com.

 

Written Word Media’s June 2017 Survey: What Makes a $100K Author (https://www.writtenwordmedia.com/2017/06/07/100k-author/):

  • 88% of 100kers have been writing more than 3 years.
  • None of their survey responders making 100K were trad published.
  • There were hybrid authors, who either got a contract due to their indie success or decided to make the higher royalties as an indie for some of their stuff.
  • You don’t have to be exclusive with Amazon, there was a mix.
  • Rates for editors varied, as well as cover art, but none of the 100Kers were paying more than $1000 a cover.
  • The 100Kers try paid marketing and handle it themselves (nobody’s hiring a PR person here or handing off their FB ads)
  • 20% of 100Kers still had day jobs, but they averaged 30 hours a week of writing as a group.
  • The 100Kers had an average of 30.3 books in their catalog (the most an author had was 63 and the minimum was 7)

Busting/discussing some myths:

  • You have to network tons and/or get a lucky break.
  • You have to write in romance or another huge, hot genre. (Big fish/small pond)
  • You have to be in KU/exclusive with Amazon.
  • You have to do everything right from Day 1.
  • You have to sell non-fiction or courses on the side.

Listener questions we answered in the show:

Ashley: I’d like to know the general time split (ex. 40/60) for marketing/creating time. I find myself liking marketing but not making time for it.

Ashley: Also how much of income comes from paid ads vs organic/networking?

Jesse: When should we spend money on advertising? After 1 book? A full series?

Kristy: Do you need to have audio and foreign translations to hit 6 figures?

Madeleine: What was the tipping point for number of books? What advice isn’t relevant any more e.g. landscape has changed?

Hannah: From a new author perspective: is it worth putting in a lot of money up front? Or starting with the essentials editing/cover design first.

Dale: I’m probably channeling Jeff: “What’s the single most effective thing you can do in to help become a six figure author?”

Dale: “What’s the least effective thing that will help you become a six-figure author.”

Ryan: Is it worth trying a new pen name when switching from fantasy to space adventure when you currently have a small fanbase?

~

If you want to support the hosts, or just check out their fiction, Jeff has a new Book 1 out in his Lentari fantasy world, May the Fang Be with You.

Jo has a fun summer project out, Structophis, and the first book in his popular steampunk series is free everywhere (fourth book coming in September).

Lindsay has taken her Fallen Empire series wide, and you can pick up the first one, Star Nomad, for free in all the major stores right now.

 

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SFFMP 140: Publishing in an Underserved Genre and Helping to Build a Community with Veronica Scott

On today’s show, we talked about publishing in an underserved niche that’s too small to attract the attention of the Big 5 but that could potentially be lucrative to authors. Our guest was paranormal and science fiction romance author, Veronica Scott, and we also discussed some of the many things she’s doing to foster growth and awareness of the SFR genre among readers who might be interested. Even though we talked about scifi romance specifically, the interview might be of interest to other authors writing in smaller niches or doing cross-genre fiction. We discussed some of the challenges of marketing these types of books.

Here are some of the specifics that we covered:

  • The challenges of marketing books that don’t fall into the main categories on Bookbub and other promo sites.
  • The opportunities that indies have by writing in sub-genres or niches that are too small to interest traditional publishing.
  • Surfing through also-boughts on Amazon and also using the YASIV tool for finding related books and authors to target as keywords for ads.
  • How scifi romance has gotten more competitive over the last few years and whether it’s still possible for new authors to break in and reach the Top 100.
  • Some of the key reader expectations in SFR and differences between romances and scifi with “romantic elements.”
  • Common mistakes authors make with covers.
  • The blurb-writing service that Veronica uses: Cathryn Cade.
  • The cover designer that she uses: Fiona Jayde.
  • Why fostering a community can be useful, especially in a smaller niche, and how Veronica has gone about doing it.
  • Veronica Scott’s USA Today Happy Ever After blog column.
  • Her stance on newsletter swaps and newsletters in general.
  • Whether permafree series starters are viable in this genre.

You can find Veronica on her website, on Amazon, and on Twitter, and also check out her book inspired by the Titanic, Wreck of the Nebula Dream, or her latest release, Danger in the Stars.

 

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SFFMP 130: Better Marketing, More Productivity, and Turning Your Writing Hobby into a Career with Monica Leonelle

Today, we interviewed young adult urban fantasy and paranormal romance author Monica Leonelle. In addition to writing fiction, she also blogs at Prose on Fire and writes the non-fiction “Growth Hacking for Storytellers” series. We talked about improving productivity for writers and some of the basics of marketing that get overlooked in the urgency to just make more sales.

Here are a few more details of what we discussed:

  • Going from writing 1,000 to 3,500 words an hour.
  • How doing some extensive pre-planning (world-building and creating characters) before getting started can make the writing process smoother.
  • Using “thematic” world building as a way to help discover motivations for characters and also various factions in your worlds.
  • Outlining stories and scene beats before sitting down to write for the day.
  • Breaking up your goals into manageable chunks (i.e. I’m going to write 15 or even 8 minutes today rather than starting out saying you’re going to write for 2 hours).
  • Setting yourself up to meet your goals by having a good mindset.
  • How important is a regular schedule for productivity?
  • Monica’s Spanish translation of one of her books and whether it’s been worthwhile.
  • When it comes to marketing, giving out samples to get new readers to try you rather than simply trying to go straight to the sale.
  • Moving a person from being a reader to a fan to a true fan or evangelist.
  • Doing things to “activate your fans” to get them to take actions to help you get the word out.
  • Whether you should focus your efforts on your most recent release or if the back list should always get attention.
  • Whether permafree is still working as a way to get “samples” out there.
  • Taking your writing efforts from hobby to career.

You can find Monica online on her website or at Prose on Fire. If you’ve found her advice useful, you can check out her books such as 8-Minute Writing Habit: Create a Consistent Writing Habit That Works With Your Busy Lifestyle and Prosperous Creation: Make Art and Make Money at the Same Time.

 

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SFFMP 107: Writing and Selling in the Underserved LGBT Fantasy Niche with Shiriluna Nott and SaJa H

On today’s show, we chatted with Shiriluna Nott and SaJa H, authors of the epic fantasy series The Chronicles of Arden. They’ve got some LGBT heroes in the story, so we wanted to ask them about some of the writing and marketing challenges (and perks!) that come with the niche.

Here are a few more details of what we covered:

  • Moving from fan fiction to self-publishing.
  • Whether there are any reader expectations with spec-fic LGBT stories (i.e. romance or graphic sex or for the sexual orientation to be a big focus in the story).
  • If it’s necessary to warn readers if there’s going to be a non-traditional relationship in the story, even if there’s nothing explicit.
  • For those with an interest, is LGBT fantasy/science fiction an underserved niche that might be less competitive and easier to get noticed in than the more mainstream spec-fic categories?
  • Are there any unique writing or marketing challenges?
  • Are there any sites that specialize in mentioning LGBT spec-fiction books? (They mentioned QueerSciFi.com.)

You can find their books on Amazon or visit Shiriluna on her website or Facebook. You can also visit Saja on Facebook.

 

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SFFMP 97: The Ins and Outs of Selling Science Fiction Erotica with Addison Cain

We spoke to science fiction erotica author Addison L. Cain about getting started in the business, some of the differences between romance and erotica, how to market it when many of the advertisers aren’t interested in the subject matter, and how to get off to a good start. Addison’s first novel, Born to Be Bound, was just released in April of 2016, and she’s already selling very well, with three books now out in the series.

**Note: a couple of naughty words came up in today’s discussion, so if you’re uncomfortable with that, or frank discussions of what’s allowed and what the tropes are in erotica, you may want to pass on this episode and tune back in next week for a more typical show. Thanks! 

Here are some more details on what we touched upon:

  • Getting started with fan fiction and publishing on free-to-read sites such as LitErotica.
  • How Addison turned the readers of her free material into an ARC team that went out and left reviews of her books when she launched.
  • What’s working with SF erotica covers (and what to avoid if you don’t want your book to be nixed by Amazon)
  • Whether there really is “big money” in writing erotica
  • What the “Adult Dungeon” is on Amazon and how to avoid having your work stuck in it
  • Some of the sponsorship sites that accept erotica: The Romance Reviews, Spanking Romance Reviews, What to Read After 50 Shades of Grey, Excite Spice, Bookbub, BargainBooksy, The Naughty List.
  • How science fiction and fantasy let you play and be creative within the erotica genre
  • The pros and cons of publishing with a small press
  • Pricing considerations for SF erotica and whether or not to go wide or choose KDP Select/Kindle Unlimited
  • Challenges of being a big fish in a small pond (SF or fantasy erotica) versus jumping into more the more mainstream stuff with a larger potential readership
  • Who the primary reader is for these books (male/female)
  • The need to stand up for yourself and make sure your books are getting the attention they deserve when you’re working with a press

You can find Addison on her website or check out her books on Amazon and other retailers.

Her publisher is Blushing Books and she believes they are open to submissions for those who don’t want to go it alone.

 

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SFFMP 96: Switching to Epic Fantasy and Rocking It with Phil Tucker

We chatted with Phil Tucker about his time working at Penguin, his first couple of series (including paranormal romance novels published under a pen name), and his new Chronicles of the Black Gate epic fantasy series, which has been selling great since its release back in May. Even though his previous experience was in paranormal and vampires, he had a solid launch, and we grilled him on what he did in designing and marketing the new series.

Here’s a breakdown of some of the topics we hit on:

  • Phil’s experience working in the content marketing department at Penguin publishing
  • Why he chose self-publishing instead of traditional publishing
  • Learning the ropes with his first vampire series
  • Starting a paranormal romance pen name, finding some success, but then switching away from it
  • Going back to his first love with epic fantasy
  • Going into debt to invest in great cover art
  • Studying the blurbs of top-selling books in the epic fantasy genre and making sure he had the best package possible when he launched
  • Participating in Mark Lawrence’s Self-Published Fantasy Blog-Off and gaining some attention and reviews from that
  • Using a free prequel to encourage mailing list sign-ups
  • Keeping to a two-month release schedule even while writing long epic fantasy novels and working full time at the day job

Check out Phil’s books on Amazon or visit his website for more information. Oh, and make sure to check out the beautiful covers on his epic fantasy series. Here’s a link to the first book.

 

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SFFMP 94: Putting Together an ARC Team, Getting Lots of Reviews, and Publishing More Often with Anna Hackett

Science fiction romance and adventure romance author, Anna Hackett, regularly has 80-100 reviews on her books within a few days of release. We asked her about how she created a great team of reviewers who get early copies and leave prompt reviews. She’s also increased her productivity substantially in the last couple of years and often publishes a short novel each month now, so we asked her about that too.

Here are a few more specifics on what we covered:

  • Mining your existing readers/newsletter subscribers to find people for a review team (and how to get started building that mailing list if yours doesn’t have many subscribers yet)
  • The logistics of contacting reviewers with advanced review copies and making sure they can download the ebooks to their readers of choice.
  • How many reviews you should be shooting for with a new release
  • Increasing productivity by giving yourself deadlines (even if you don’t have to publish on a certain day)
  • Writing shorter novels, if it makes sense for your style and your genre
  • Keeping all the balls in the air when juggling multiple series
  • Tips for newer authors trying to get those early reviews
  • Focusing on writing and publishing books as the most effective form of marketing
  • Whether there’s a downside to giving away review copies to readers who likely would have purchased the books
  • Do book giveaways and contests help garner more reviews?

If Anna’s books sound interesting to you, she has several permafree adventures that you can check out:

Among Galactic Ruins (Phoenix Adventures — space romance)

Marcus (Hell Squad, Book 1 — dystopian romance)

Time Thief (Anomaly Series, Book 1)

Anna also has a boxed set available for free if you visit her site and sign up for her newsletter.

 

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SFFMP 92: How to Use KDP Select to Sell More Books with Susan Kaye Quinn

We got a lot of great information from today’s return guest, science-fiction and paranormal romance author, Susan Kaye Quinn. In addition to writing genre fiction, she’s penned For Love or Money, a book that talks about the ongoing debate on whether to write to the market, to write your passion, or to try and find the spot where the two areas mesh.

Since Susan has been doing a number of experiments with Amazon’s KDP Select/Kindle Unlimited promotions lately, we focused on that during the show, trying to find the information that would help authors work KU to their advantage and do better with the promotions available to those in the program.

Here are a few specifics we covered:

  • Being wide (in all the stores) and having a permafree title versus being in KDP Select with a 99-cent title
  • How to have a successful free run while in KDP Select and why “getting the attention of borrowers” matters more than anything else
  • How borrowers are almost like an entirely different store with their own eco-system
  • What to do if you’ve been wide and are bringing older titles into KDP Select
  • What some of the problems might be if your books just aren’t selling as well as you wish
  • Figuring out if a book or genre is a good match for KDP Select
  • Whether pre-orders are a good idea when you’re in KDP Select and you’re relying on borrows (which can’t roll in until the book is live)
  • Dealing with readers who might be upset if you switch from being in all the stores to being exclusive with Amazon
  • Figuring out whether you should give KDP Select a try based on how well you’re doing in other stores
  • Whether you should save up books and launch them in a cluster or try to stagger them to release over time
  • Places to advertise KDP Select titles

Stop by Susan’s site, check out her books on Amazon, and sign up for her popular For Love or Money group on Facebook. Lindsay is there as are many other indie authors.

Also check out Susan’s previous appearance on the show if you haven’t already: Episode 36.

 

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SFFMP 84: Creating Better Book Descriptions (Blurbs) to Improve Your Sales with Bryan Cohen

This week, we’re talking with Bryan Cohen, who first appeared on our show in episode 15 (YouTube Marketing, Facebook Events, and Increasing Mailing List Sign-Ups). He’s since started a book description/blurb writing service, Best Page Forward, for authors who would like to hand the task to someone else, and he also teaches blurb-writing techniques at Selling For Authors.

Here’s what we talked about:

  • Bryan got to the point where he was hitting a struggling point. He had been doing copywriting for various sites as well as some ghost copywriting. He was doing well with the copywriting, but it wasn’t until someone in his Mastermind group suggested that he do copywriting for authors — Bryan got going right away!
  • Once Bryan announced his service he had over one hundred orders for book descriptions in a month. This was obviously something people wanted.
  • Since there was such big interest in copywriting, Bryan set up coaching and classes to help authors do their copywriting.
  • Youtube videos can be difficult when you don’t have a process, as Bryan found out when he tried to do a video a day (he did 30). He thinks it was a good experience but it was a lot of work and didn’t really fit his brand.
  • Bryan doesn’t think that most writing-related things are doing well on Youtube. However, teaching and longer-style fiction (like Welcome to the Night Vale) does well. And John Green, of course.
  • While it’s hard to make a splash in Youtube, it is something that is possible and certainly someone can build a platform on Youtube and carry it into publishing books.
  • Bryan is planning on working with Chris Fox to help authors speed up their production speeds.
  • After Chris’s successes, Bryan picked Chris’s brain and tried to find a good genre that he would enjoy. If someone just writes for the numbers then they won’t be able to stick around long.
  • He is now working on a fairy tale retelling series that is a bit of a medieval, a little urban fantasy. He is working to be able to launch with a ten day spike.
  • Bryan agreed that it is not always necessary to write to market, but did add that it can be helpful to try it if you’re struggling or haven’t been able to get traction.
  • Bryan is planning on doing a balance between non-fiction and fiction since he spends time in both areas and fit it to where he has been building. He has things coming from non-fiction and fiction.
  • He is tempted to re-release his Ted books, even at the loss of many reviews, in order to release it into KU and get a large initial boost. Along with now having a large social media presence and understanding advertisements, Bryan thinks that it would be a great way to get re-started.
  • When it comes to doing audiobooks, make sure that it is ‘credit worthy’–So that someone feels like using their Audible credit feels that they are getting a good value.
  • When Bryan writes a blurb, he first asks questions. Some include–What is your blurb like now? What is your summary?
  • Bryan does not care if people credit him for the blurb.
  •  These are Bryan’s steps for copywriting.
    • The Headline– A short statement, a hook, that grabs a reader’s attention.
    •  Synopsis–Bryan suggests having the hook ahead of that. You want to establish an emotional connection between the reader and the character. “A character who…” and something that a reader can relate to. If the reader cares about the person then they are more likely to connect to the plot in the summary. Make sure that you end the synopsis on a cliffhanger sort of way to make them want to buy the book.
    • Selling Paragraph–Break down reader barriers to read your book. Include things like “Tentacle Love is the first book in a new sci-fi romance series” followed by adjectives to describe the book that people who read your genre should like.
    • Call to Action–Make sure that you have a ‘Call to Action’ that tells them what to do–“Buy this now!”
  •  When trying to hook a reader, it can be difficult to know what to go into without revealing a big twist. Bryan suggests that you only go into information that is revealed in the first half of the book but hint at what will be coming.
  • Don’t go into too many subplots and name only one or two characters. You don’t need to name the villain.
  • Fantasy authors sometimes have a difficult job writing a summary when the book takes place in a different world. Introductory statements like “When he travels to a far off moon…” followed by more emotional stuff to connect the reader to the character can help build the world without bogging down the reader.
  • Some writers create stories with many PoV characters. It can be best if you have one character that you ‘hang your hat on.’
  • Since Amazon now hides the blurb unless someone clicks, the headline can be very important to get someone to click to read more.
  • You often must be more vague when you are writing the summaries of books that have progressed through part of a series. Sometimes you can still do a concise summary, but don’t be afraid to have to go vague.
  • It’s important to highlight the placement in the series in the selling description.
  • One of the biggest mistakes people can make is focusing too much on keywords. Amazon does not index Kindle book descriptions–They index your keywords, title, subtitle. However, Google does.
  • See his page for info on his pricing.

Lastly, check out Bryan’s Ted Saves the World and Writing Prompts books on Amazon and other stores.

 

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SFFMP 82: Time Travel Fiction and Keeping a Series Selling Year in and Year out with Monique Martin

This week, we’re chatting with time travel author Monique Martin. She’s been publishing about two novels a year since 2010 and has seen a lot of changes since the early days of self-publishing. We talked to her about what’s working now and what’s changed as far as marketing and selling ebooks goes since she got started. We also found out which tropes are popular in time travel science fiction and time travel romance!

Here’s the breakdown:

  • After starting her career in television (with shows like Murder She Wrote), then a family business and even insurance marketing… She wrote at night to keep herself sane.
  • After trying to get an agent she decided to self-publish her first novel a few months later in 2010.
  • She started her book as a standalone but when she finished writing it she knew that it could be a series. You can still do a series with romance.
  • She is straddling two different genres now. She said that it can sometimes alienate readers since not all of them like the same elements of both genres.
  • She spends a lot of time researching for each book. She says that she sort of regrets not setting it in one time period because of the research.
  • When it comes to other writers writing historical, you can get higher numbers rank-wise with less popular genres, but some genres has a bigger readership. Ultimately it should come down to writing what you love.
  • When asked whether or not she thinks that time travel is most viable when it is used as different settings or creating phenomenally complex plots, Monique said that it will depend on what you accomplish. She likes to play with the aspect of changing history and the ripple effects as well as the characters having a commentary on the culture as an outsider (unlike a historical, where the character only knows that world).
  • Monique says she’s a big plotter and makes sure that she plots out her books carefully so that she doesn’t have any issues with the time traveling aspect.
  • She has had some pushback about her straddling genres on having a vampire in a time travel book and it threw a lot of people with that sort of paranormal being in the book.
  • The minutiae of writing time travels/historicals has to do with the details from the historical time period.
  • Monique says that series fatigue has happened to her. She started to have struggles around book five. She decided to have more entry points into the series so that she could do a side series as well.
  • Monique fixes things that readers have pointed out as historical inconsistencies. She is very willing to make adjustments as necessary.
  • Monique has seriously considered having someone create a series bible for her to make things easier in regards to consistency.
  • If she could go back in time, she would have done sketches of the plots of the books in the series before writing them. She says that having an overarching plot planned is advice she’d want to give.
  • Monique is publishing 2-3 books a year. Even though it has been going on for awhile, she is still doing well with her series. She says that the way that she works to keep fans is by engaging with them on Facebook, advertisements in BookBub and creating box sets for promotions–She could do individual BookBubs per book, and then per box set.
  • She does a little advertising on Facebook, mainly pushing people towards book one. She cultivates readers on her Facebook page by doing things like a contest for someone to get a character named after them. Their enthusiasm is a great grassroots element.
  • KindleUnlimited has effected her sales due to people subscribing in large numbers and passing up buying books by staying within the Kindle Unlimited.
  • One way that she is thinking of bringing in new readers is selling books 1-3 in a box set since her series has gotten so long and she hopes it could invigorate her sales.
  • Monique has been wide for most of her career. She has found something of a place on various avenues. She does not think that she could go to KU because she is doing a lot of business outside of Amazon.
  • She suggests putting in at least 4-6 months to try to gain traction in non-Amazon sites. She also suggests trying to get a rep in order to get involved in more promotions.
  • Her original cover was DIY but around book two she realized she needed a professional, branded cover. She chooses to use the same image with different washes.
  • She keeps an eye out on new trends so that she can keep ahead in marketing, although she puts her effort into her writing and research.
  • Monique has found that engaging with her readers on Facebook has been one of the most effective methods of marketing that she has had.
  • She uses a mailing list and wishes she had started one earlier. While she’s not doing any reader enticements but she wants to add some to help add to her sign ups.
  • Monique’s advice for new writers is to find writers, maybe an in-person writers group or online group. She says that KBoards is very valuable.

Visit Monique on her website, and check out her books on Amazon and at the other retailers. The first book in her series is free!

Other links mentioned: Hearts Through Time

The Facebook author group: Time Travel Romance Author Alliance

 

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