It’s not every week that we get authors with PhDs in science on the show (though we’ve had a few!), but today Anthony J Melchiorri joined us. By day, he uses his PhD in bioengineering to develop cellular therapies and 3D-printable artificial organs, and by night, he writes medical thrillers, post-apocalyptic fiction, and space opera. So far, he’s best-known for his Tide series.
Here’s some of what we chatted about:
How Anthony’s background led him to start writing medical thrillers with a science fiction twist.
How those books didn’t sell as well as he’d hoped and he ended up writing post-apocalyptic fiction.
PA fiction having a really rabid reader base that wants more books than are out there.
How you might be able to find a good subgenre on Amazon to exploit by looking for ones where books with poor covers are selling well.
Whether his Kindle Worlds project was worth it as far as time and money invested in it went.
If authors with tons of in-depth scientific knowledge can still expect to get “corrected” by well-meaning readers.
Concerns about possibly including too much science in the stories when you have that in-depth knowledge.
Marketing in the various different genres (space opera, post apocalyptic, and medial thrillers) and why some do well in Kindle Unlimited and others don’t.
Trying a perma- or long-term 99 cent price on a Book 1.
The differences in producing your own audiobooks through ACX and going with a publisher — Blackstone Audio is doing Anthony’s Eternal Frontier series.
Challenges in marketing audiobooks and what works.
This week’s guest, John L. Monk, is the author of The Jenkins Cycle and Thief’s Odyssey, cross-genre books that never sold as well as he wished, despite marketing efforts. About six weeks ago, he published Hell’s Children, a book firmly entrenched in the post-apocalyptic genre. He took some ideas from Chris Fox’s Launch to Market book and managed to release into the Top 1000 on Amazon for the first time, and his book has stuck and continued to sell well even after the dreaded “30 Day Cliff.”
Here are a few things we touched on:
The challenges of marketing cross-genre fiction
Making life (and marketing) easier by writing in specific genres with commercial appeal
Why John chose post-apocalyptic fiction for his new book
Staggering your book launch so that you’re selling some copies every day instead of firing everything off at once
Making acquaintances with other authors and networking so that they might mention your book to their Facebook followers or mailing lists
Launching into KDP Select/Kindle Unlimited and at 99 cents for the first week
Why putting fancy new covers on books that weren’t well targeted in a specific genre might not make much of a difference
Keeping readers interested in older titles
John’s experience with being wide and having an Apple rep and why he ultimately enrolled in KDP Select
Working with other authors on an anthology or joint project to spread the word about your work to new readerships
Today we talked with science fiction author Ann Christy, who has been tracking Kindle Unlimited and reporting on what scammers are up to in the program and why that’s important to us as authors. We also discussed how she came to be writing in Hugh Howey’s WOOL world and the pros and cons of publishing in Kindle Worlds.
Here’s a little more of what we covered:
Kindle World is restricted to US accounts and limits non-US readers.
Kindle World can be positive for many writers because Amazon deals with many details. For example, they set the prices. There are a lot of things writers don’t have to deal with.
The split is 65/35% for the creators of the world and the authors of the books.
Ann said that when she started, she didn’t understand everything involving self publishing and didn’t even know what was a ‘good’ tally of sales day to day. She was concerned that she only had 100!
Ann wrote four books in Hugh Howey’s WOOL world before writing fiction set in her own worlds.
Ann made sure that she kept her own worlds open for people who wanted to write within her world. After her positive experience with Hugh Howey, she wanted to give opportunities to other writers.
There will always be scammers in Kindle Unlimited because they can move faster than Amazon.
One method that scammers do is to put together a large number (sometimes 3,000) pages of unreadable material. They hire people to ‘click farm’ and the hired clickers open the book and skip from the first page to the last page. The authors get paid as though someone had read 3,000 pages.
It’s so refined and organized that the collectives of scammers sometimes ‘take turns’ for who gets their bogus books “read” by the collective that week.
The books don’t stick around for long. The scammers will remove the copies that were up after they have been click farmed and then they will re-release them under another title.
To ensure that their ‘books’ were not well reviewed by Amazon, the scammers were careful about what days and times they submitted their projects that reduced the chances of being caught by Amazon reviewers. As long as they take down the book before Amazon notices it, then they can collect the money made through click farming.
It seems that Amazon has begun cracking down on the scammers. There are fewer scamming books then there were before.
There are other forms of scamming for Kindle Unlimited that will be more difficult to catch with an algorithm, so Amazon has a lot of work ahead of them.
To reduce the chances of Amazon thinking you’re a scammer, be careful about the number of times you include specific stories into box sets. It can appear that you are trying to scam by spreading out the story that many times. But things like bonus chapters of the next book are completely fine—It’s more of the over saturation that can get you watched.
Ann says that if she were in charge of the situation at Amazon, she would put a system together where new authors would have their books looked at by a human, and perhaps the next three books and/or any books within a 90 day period. She thinks that they should still allow authors who are in the system to publish to keep new content coming in.
Can you report scammer books? Yes. You can scroll down to the bottom of the book page and report books as scam books. Unfortunately it hasn’t proved to be as effective as we could wish it was.
Honest authors should leave links to mailing lists, etc. and limit your clicks within the book. This will reduce the potential red flags. Anything that is in the legitimate table of contents can stay.
Ann says her major marketing tool is to ‘beg BookBub.’ Besides that she admits that she doesn’t really know how to market and needs more tutelage.
We also discussed whether being anthologies help and how hot of a genre dystopian fiction is right now.