Tonight we interviewed the prolific Anna Hackett, a science fiction romance author from Perth Australia, who has a number of series going. She started with traditional publishing but soon shifted to self-publishing, and she has plenty to talk about for folks who are thinking of adding romance to their science fiction or fantasy.
Here’s some of what we touched on:
Working romance into your science fiction/fantasy — any pitfalls or advantages?
Going from traditional publishing to self-publishing
The benefits of writing in a small niche
Watching successful authors in your niche to see what they’re doing for marketing
Advice for new authors looking to self-publish
Tips for being prolific
What kind of cover art works best for science fiction with romance in it?
Using a free novella to encourage people to sign up for your newsletter
Are blog tours ever worth it?
The challenges of advertising “science fiction romance” when there’s never a category for it on the sponsorship sites such as Bookbub and Ereader News Today
Marketing tips for those who don’t have a big advertising budget
For the second time in the history of the podcast, we had a guest on tonight (we’ll be having guests on a lot more often, so if there’s someone you would like to see — who might actually deign to talk to us — let us know). Australian science fiction and fantasy author Patty Jansen came on to talk to us about self-publishing, marketing fads, and how she has ended up selling well on the non-Amazon platforms, especially Kobo.
Here are a few of the topics we covered:
Patty’s publication history (including a Writers of the Future win) and why she opted for self publishing
The benefits of belonging to an online workshop
If there are any specific challenges to selling science fiction and fantasy, as opposed to other genres
What’s helping her to sell on Kobo and some of the other platforms where many authors struggle to gain traction
Some tips for selling books on Google Play
Is it worth following the trends and trying to write what’s popular?
Organizing multi-author promotions and why you would want to
Is it still a good time to be an indie author, even if things may be getting tougher, and it’s not as easy to break in?