SFFMP 153: What to Do When Your Book Isn’t Selling + Selling Direct from Your Site

Today, Jo and Lindsay talked about their experiences selling ebooks and paperbacks directly from their sites, along with some of the pros and cons of doing so and tax considerations. They also ran through a checklist of things to look at if your book isn’t getting the sales you were hoping for.

Here are some of the highlights of the show:

  • Jo talked about why he took one of his recent titles out of Kindle Unlimited after a quarter.
  • Lindsay talked about buckling down and knocking out ten thousand words a day to meet some goals.
  • Selling signed paperbacks direct from your site and also doing special editions or early releases of ebooks from your site when you have a fanbase eagerly waiting for new material in a series they love.
  • Some of the pros of selling direct (keeping a higher percentage on each sale, getting the email addresses of known buyers, and not relying completely on any one store).
  • Some of the cons of selling direct (few people make it work for fiction ebooks, it’s not as easy of a process for the readers, dealing with customer service, and the extra work of installing and maintaining an e-store).
  • Tax considerations (keeping receipts and when Paypal will send you a 1099 if you use them for your direct sales).
  • Checking your cover and blurb if your book sales are anemic. Links to Libbie Hawker’s ebook on blurbs (Gotta Read It) and her two-part video instructions on the same topic (Write an Awesome Blurb or Query Pt. 1 and Write an Awesome Blurb or Query Pt. 2).
  • Avoiding slow pacing, editing errors, and infodumps in the sample pages (and ideally everywhere!).
  • Creating stories and characters that people fall in love with.
  • Not having too high of expectations!

 

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SFFMP 152: Pricing, Category Stuffing, Launching with Three Books, and Marketing Cross-Genre Novels

This week, we answered some listener questions that had been piling up. We touched on a variety of topics, such as…

  • Should you try to put your books in as many categories as possible, and what can we do about books that shouldn’t be there knocking us out of our Top 100s on Amazon?
  • Amazon’s page of keywords for getting into unlisted categories: Selecting Browse Categories.
  • How many downloads a day can you expect from permafree titles?
  • Is it worth trying to sell English novels in countries where English isn’t the primary language?
  • How can trad publishers get away with charging 9.99 or more for ebooks, and can indies do this if their books are well edited and professionally done?
  • How do you market cross-genre books that fall into more than one category?
  • How do you guys feel about killing characters, and does it ever get easier?
  • How does your plotting process work?
  • Has anyone tried Kobo Plus yet and gotten results?
  • Where you can advertise as a newer author with less than twenty reviews on your book? Here are the links to the spreadsheets Lindsay mentioned (that C. Gockel maintains). We’re not sure if they’re up to date though, so let us know if you know of a good and recent resource. Where to Advertise Free Ebooks | Where to Advertise 99 Cent Ebooks.
  • How did Lindsay relaunch her pen name successfully after a long gap between releases?
  • If you want to write three books before launching any of them, can you use novellas as part of the plan?

Jeff and Lindsay are working on new projects, but Jo has some links if you want to check out what he’s up to right now. Here’s his serial-in-progress: The Adventures of Rustle and Eddy. Also, he’s recently done a series of “How I Write” blog posts, which cover his plotting process, among other things.

 

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SFFMP 148: 12 Ways to Keep Your Backlist Selling and Maintain a Steady Income

The guys discussed the various tactics they’ve tried and promotions they’ve participated in that have helped keep their older titles selling, especially in finished series that haven’t seen new releases in a while.

Here’s the short list, though they also answered listener questions and expounded on these quite a bit. As usual, it wasn’t a short show!

1. Run a sale on Book 1 (free/99 cents) while booking promos
2. Put together a boxed set of the first 3-4 books and run promos on it.
3. Publish new stories (short stories or novellas, if not novels) that tie into your old, completed series.
4. Publish short stories for your old series in multi-author anthologies that will lead people into your books.
5. Join or put together a multi-author boxed set, using one of your old Book 1s. It’s a chance to basically promo something new for all the authors involved.
6. If you have a number of series, consider putting together a “sampler” boxed set with your own Book 1s (maybe publishing something new to entice regular readers who already have the other stuff to buy).
7. Relaunch with new blurbs, categories, and new covers, especially if your original ones were done on the cheap and/or don’t seem a perfect fit.
8. Facebook/AMS ads for a steady trickle of sales.
9. Sales/freebies combined with joint authors promos or newsletter swaps.
10. Keep your community active and engaged in social media with polls/discussions/artwork. Word of mouth is easier to get when you’ve got people talking.
11. Create print copy giveaways on Goodreads, or on your own blog. Engage the readers. Make them do something different, or fun, to “enroll” in contest.
12. Network with other authors. Offer to write a “guest” blog post. Offer newsletter swaps.

 

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SFFMP 145: Using eBook Giveaways to Grow Your Audience and Sell More Books

On today’s show, we were joined by Ashley and Maura from Instafreebie. If you haven’t heard about the service yet, it’s a spot where you can upload free ebooks (previews, short stories, and novellas are fine), and it makes it easy for potential readers to download them and load them on their e-readers. You also have the option of requiring readers to share their email addresses in order to download the ebooks, so it can be a way to start growing a mailing list. A lot of our previous guests have used the service, and many authors attest to its usefulness, especially in conjunction with multi-author promotions.

Here’s some of what we talked about on the show:

  • How Instafreebie works and how it differs from Bookfunnel, another service that can facilitate giving away ebooks.
  • Giving away books (such as series starters) versus giving away short stories or previews of novels.
  • Making sure to put your call to action (i.e. buy Book 2 in the series here!) in the back of the ebooks you give away.
  • Using Instafreebie (and collecting email addresses) versus making books free on Amazon, Kobo, B&N, etc.
  • Whether cliffhangers, at the ends of free novels or previews, work or if the readers are left irritated.
  • Using a drip campaign (or auto-responder) to reach out to readers after they’ve shared their email addresses.
  • Instafreebie’s recommendation engine and other ways to increase discoverability outside of what you do for promo.
  • Organizing a group giveaway and asking them for a plug (submit requests to production@instafreebie.com)
  • How newer authors can leverage Instafreebie to build a fan base when they don’t have a big social media presence or mailing list for driving traffic.
  • How books are chosen to be shared on the Instafreebie blog for extra promotion.

If you’re interested in signing up for their service, find it at Instafreebie.com.

 

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SFFMP 144: Breaking Six Figures as an Author – What Does It Take?

It’s a long show today, but we covered a lot of ground, so hopefully you’ll find it interesting. We discussed last year’s Author Earnings report that showed how many authors were making over $100,000 a year at Amazon.com, and we also talked about the findings of a survey by Written Word Media that came out a couple of months ago, giving the lowdown on habits of six-figures authors (i.e. how many books out, how long it took to get there, how much they’re paying for editors and cover art, etc.)

Here are some specifics from the crib sheet (click the links to the reports to read them in far more detail):

May 2016 Author Earnings Report (http://authorearnings.com/report/may-2016-report/):

Based on print, audio, and ebook of the Amazon US store only:

  • 1,340 authors are earning $100,000/year or more from Amazon sales. But half of them are indies and Amazon-imprint authors. The majority of the remainder? They come from traditional publishing’s longest-tenured “old guard.”
  • Fewer than 115 Big Five-published authorsand 45 small- or medium-publisher authors who debuted in the past five years are currently earning $100K/year from Amazon sales. Among indie authors of the same tenure, more than 425 of them are now at a six-figure run rate.
  • More than 50% of all traditionally published book sales of any format in the US now happen on Amazon.com.
  • 85% of all non-traditionally published book sales of any format in the US also happen on Amazon.com.

 

Written Word Media’s June 2017 Survey: What Makes a $100K Author (https://www.writtenwordmedia.com/2017/06/07/100k-author/):

  • 88% of 100kers have been writing more than 3 years.
  • None of their survey responders making 100K were trad published.
  • There were hybrid authors, who either got a contract due to their indie success or decided to make the higher royalties as an indie for some of their stuff.
  • You don’t have to be exclusive with Amazon, there was a mix.
  • Rates for editors varied, as well as cover art, but none of the 100Kers were paying more than $1000 a cover.
  • The 100Kers try paid marketing and handle it themselves (nobody’s hiring a PR person here or handing off their FB ads)
  • 20% of 100Kers still had day jobs, but they averaged 30 hours a week of writing as a group.
  • The 100Kers had an average of 30.3 books in their catalog (the most an author had was 63 and the minimum was 7)

Busting/discussing some myths:

  • You have to network tons and/or get a lucky break.
  • You have to write in romance or another huge, hot genre. (Big fish/small pond)
  • You have to be in KU/exclusive with Amazon.
  • You have to do everything right from Day 1.
  • You have to sell non-fiction or courses on the side.

Listener questions we answered in the show:

Ashley: I’d like to know the general time split (ex. 40/60) for marketing/creating time. I find myself liking marketing but not making time for it.

Ashley: Also how much of income comes from paid ads vs organic/networking?

Jesse: When should we spend money on advertising? After 1 book? A full series?

Kristy: Do you need to have audio and foreign translations to hit 6 figures?

Madeleine: What was the tipping point for number of books? What advice isn’t relevant any more e.g. landscape has changed?

Hannah: From a new author perspective: is it worth putting in a lot of money up front? Or starting with the essentials editing/cover design first.

Dale: I’m probably channeling Jeff: “What’s the single most effective thing you can do in to help become a six figure author?”

Dale: “What’s the least effective thing that will help you become a six-figure author.”

Ryan: Is it worth trying a new pen name when switching from fantasy to space adventure when you currently have a small fanbase?

~

If you want to support the hosts, or just check out their fiction, Jeff has a new Book 1 out in his Lentari fantasy world, May the Fang Be with You.

Jo has a fun summer project out, Structophis, and the first book in his popular steampunk series is free everywhere (fourth book coming in September).

Lindsay has taken her Fallen Empire series wide, and you can pick up the first one, Star Nomad, for free in all the major stores right now.

 

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SFFMP 142: Mailing List Best Practices and Finding an Editor for Your Genre

On this week’s show, the guys chatted amongst themselves, covering such topics as how their summer book launches are going, finding an editor when you write cross-genre fiction, and basic and more advanced mailing list tactics.

Here are a few of the specifics they discussed:

• Where do the guys host their mailing lists?
• Is a mailing list necessary if you’re already on social media?
• What kinds of things do you say to your subscribers?
• How often should you email your subscribers?
• Should you email twice about the same release to ensure people saw it?
• Using free books or bonus stories to encourage people to subscribe.
• What kind of open rates should you expect as a genre fiction author?
• Should you scrub your mailing list to get rid of the dead weight (people who aren’t opening messages)?
• Should you segregate your mailing list? (i.e. sort by demographics, most opens/clicks.)
• Staggering the way you promote a book launch to create more of a steady trickle of sales during release week than a spike.
• Setting up an autoresponder series.
• Including links to backlist at the bottoms of your first auto-responder email.

 

 

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SFFMP 135: Amazon Bestseller Charts, Using Goodreads to Sell Books, and Listener Questions Answered

Today, the guys answered listener questions, and Jeff and Lindsay interviewed Jo about what he learned at the big Book Expo America convention last week. There were reps from Bookbub and panels that discussed Goodreads, ebooks in libraries, and the new weekly Amazon best-seller and most-read charts, so there was plenty to discuss.

Here are some of the highlights:

  • Is it possible to find the next big trends early?
  • When it comes to success in self-publishing, how much relies on craft and how much on business and marketing?
  • When it comes to audiobooks and ACX, are you better off paying up front or doing a royalty split with a narrator?
  • How to market the second book in a series.
  • How many books did the guys have out before they were able to switch to writing full time?
  • How the BEA conference was different this year from last year when Jo went.
  • Uses for the new Amazon Charts showing the most purchased and most read books each week.
  • Ebook trends in libraries.
  • Getting ebooks into libraries and the increase in audiobook borrows, including digital ones.
  • What Bookbub gives preference to when deciding whether to choose or accept a book for a sponsored ad.
  • Bookbub’s new pre-order alerts and other ways you can market with them beyond the typical ads.
  • The Bookbub Insights blog where they share their tips for authors.
  • What’s working at Goodreads these days to help authors sell books?
  • The Goodreads ebook giveaway program is supposed to be coming out of beta testing soon.
  • Posting your book on Goodreads before it’s released so you can get early reviews.

 

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SFFMP 133: Serials, Reader Magnets, and When to Jump to Full Time

We switched things up this week and had a guest come on and interview us. Lindsay, Jeff, and Jo did their best to answer questions on marketing and publishing from science fiction author (and contest winner) Lon Varnadore.

Here are some of the questions he asked us:

  • Is permafree still viable? What about the 99-cent model?
  • Are there any sub-genres where indies aren’t well-represented?
  • Are authors still publishing serials and how well are they working now?
  • When does it make sense to make the jump to being a full-time author?
  • Are you guys using “reader magnets” to get people onto your lists, and how effective is this?
  • Kindle Unlimited or wide?
  • Has your marketing advice changed from when you started this podcast in September 2014 to now?
  • And the most important: if you could switch place with one of your characters, which would it be?

You can visit Lon on his website and also grab his first novel, Mostly Human, for free on Amazon and in other spots.

 

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SFFMP 132: Are Spinoffs a Good Idea, Costs of Cover Art, & Marketing Unique Stories

For the first time in a couple of months, Jeff, Jo, and Lindsay didn’t have a guest tonight. They answered listener questions and talked about their own experiences with spinoffs and the pros and cons of doing them from a financial and creative standpoint.

Here are a few specifics that they talked about:

  • Kindle Worlds and whether Jo’s experience writing in Lindsay’s world was worth the time that was invested.
  • Whether book trailers ever work and are worth doing.
  • How much to expect to spend for the various types of cover art (i.e. illustrated, photoshop/illustration combination with stock art or with models and photo shoots of your own).
  • The challenges of using stock photos and finding good images when you’re writing people of color (or just need period-appropriate clothing for fantasy/science fiction).
  • Whether it’s possible for an epic fantasy story that’s not in a traditional setting or not a traditional story to do well.
  • Whether you need to create a DBA or anything special when you start publishing under a pen name.
  • Advice for getting Amazon to make an ebook free when it’s already free in other stores.
  • Some of the reasons that writing a spinoff might make sense if you had a series that did well (i.e. an almost guaranteed audience, no need to start from scratch with world-building, easier to guess how much the books will earn, based on the sales from the past series).
  • Some of the reasons you may not want to do a spinoff (i.e. may only appeal to readers of the original series, may lose some of the magic of the original, may be constrained by events that happened in the original).

 

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SFFMP 120: Writing Stories That Keep Readers Coming Back for More

This week, Jeff, Jo, and Lindsay talked about the craft side of things and how to write stories that are compelling and that will make readers want to keep plunking down money for more of your books. We argued that books that aren’t written to market and don’t hit on popular tropes may need to be better crafted to succeed, but that if you’re able to gain a readership, those readers may be more loyal in the end and follow you from project to project, as opposed to readers who are just looking for X type of stories and don’t care who wrote them.

Here are a few more details on what we covered:

  • Pretty prose vs compelling stories.
  • Creating characters that people care about and want to follow from book to book.
  • What makes a sympathetic and relatable character?
  • The importance of believable characters and why it’s good to avoid a “Mary Sue” (or “Marty Stu”).
  • Remembering that your protagonists should change and grow (or cause others to change and grow) over the course of a book and also a series.
  • The importance of a mix of internal and external conflict and the idea of “the human heart in conflict with itself” being at the core of good fiction.
  • Avoiding throwing in random battles with bad guys or other obstacles that could seem contrived because they have little to do with the plot.

 

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