SFFMP 141: Succeeding in Urban Fantasy, Collaborating, and Quitting the Day Job with CN Crawford

This week, we chatted with urban fantasy authors Christine and Nick Crawford who write under the name CN Crawford. Christine has recently been able to quit the day job and go full time with the writing. After starting out publishing one book in 2014 and one in 2015, they got rolling in 2016, and now have several series going and selling well. We talked about urban fantasy and what it’s taking to succeed right now.

Here are some of the specific details from our conversation:

  • Collaborating as a husband and wife team.
  • Dealing with differences of opinion when your writing partner is your spouse.
  • Whether it takes anything special to break into the popular urban fantasy niche.
  • Thoughts on upcoming trends for urban fantasy.
  • Whether the genre expects male or female protagonists.
  • Giving away a free extra that ties into your main series in order to entice newsletter signups.
  • Using Bookfunnel to facilitate ebook giveaways.
  • Predominantly using Amazon and Facebook ads and not doing much with the typical promo sites.

Find them on their website or join their CN Crawford Facebook group. If you’re on Amazon, you can check out the first books in the Dark Fae FBI series or Demons of Fire and Night.

 

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SFFMP 140: Publishing in an Underserved Genre and Helping to Build a Community with Veronica Scott

On today’s show, we talked about publishing in an underserved niche that’s too small to attract the attention of the Big 5 but that could potentially be lucrative to authors. Our guest was paranormal and science fiction romance author, Veronica Scott, and we also discussed some of the many things she’s doing to foster growth and awareness of the SFR genre among readers who might be interested. Even though we talked about scifi romance specifically, the interview might be of interest to other authors writing in smaller niches or doing cross-genre fiction. We discussed some of the challenges of marketing these types of books.

Here are some of the specifics that we covered:

  • The challenges of marketing books that don’t fall into the main categories on Bookbub and other promo sites.
  • The opportunities that indies have by writing in sub-genres or niches that are too small to interest traditional publishing.
  • Surfing through also-boughts on Amazon and also using the YASIV tool for finding related books and authors to target as keywords for ads.
  • How scifi romance has gotten more competitive over the last few years and whether it’s still possible for new authors to break in and reach the Top 100.
  • Some of the key reader expectations in SFR and differences between romances and scifi with “romantic elements.”
  • Common mistakes authors make with covers.
  • The blurb-writing service that Veronica uses: Cathryn Cade.
  • The cover designer that she uses: Fiona Jayde.
  • Why fostering a community can be useful, especially in a smaller niche, and how Veronica has gone about doing it.
  • Veronica Scott’s USA Today Happy Ever After blog column.
  • Her stance on newsletter swaps and newsletters in general.
  • Whether permafree series starters are viable in this genre.

You can find Veronica on her website, on Amazon, and on Twitter, and also check out her book inspired by the Titanic, Wreck of the Nebula Dream, or her latest release, Danger in the Stars.

 

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SFFMP 139: Marketing Basics, Launching Your First Book, Translations, and Selling More Internationally with Joanna Penn

We had tons of great information on the show today, thanks to our experienced guest, Joanna Penn. You probably already know Joanna from The Creative Penn podcast and blog, but if you don’t, she’s a self-published thriller author, as well as the author of several non-fiction books on self-publishing and marketing. Right now, she’s releasing a new edition of How to Market a Book, so we asked her for her advice on long-term vs. short-term strategies, selling internationally as well as at home, and whether it’s worth worrying about translations and foreign rights as an indie.

Here are a few of the specifics we covered:

  • Some factors authors should consider in regard to what’s most important to them (i.e. do they have one book and want to maximize income or are they establishing a brand and a career full of books) when making a marketing plan.
  • Marketing a book versus marketing a series.
  • Building a platform as a new author.
  • What to do if you’re starting a pen name (or two) and worry about dividing your focus and getting spread too thin.
  • Realizing that you don’t need to do everything to be successful. Figure out what suits you, and do that. “Strategy is not just what you do but what you don’t do.”
  • Is it better to focus on your newest book or to spend as much or more time marketing your back list?
  • The difference between tactics you use in the short-term versus building up long-term resources that can continue to bring in sales over time.
  • Different ways to target international audiences, such as scheduling tweets/posts for certain time zones and using Bookbub’s PPC ads with country-specific links.
  • Whether it’s worth it to pay for translations of your books.
  • When foreign rights deals can make sense, if you’re offered them.
  • Whether it’s worth tinkering with keywords and changing up blurbs on Amazon to keep a book “fresh” for the search algorithms.

You can visit Joanna at her non-fiction site, The Creative Penn, or her fiction site, J.F. Penn. And be sure to check out How to Market a Book, which is a great foundational marketing book that also covers some more advanced tactics.

 

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