We switched things up this week and had a guest come on and interview us. Lindsay, Jeff, and Jo did their best to answer questions on marketing and publishing from science fiction author (and contest winner) Lon Varnadore.
Here are some of the questions he asked us:
Is permafree still viable? What about the 99-cent model?
Are there any sub-genres where indies aren’t well-represented?
Are authors still publishing serials and how well are they working now?
When does it make sense to make the jump to being a full-time author?
Are you guys using “reader magnets” to get people onto your lists, and how effective is this?
Kindle Unlimited or wide?
Has your marketing advice changed from when you started this podcast in September 2014 to now?
And the most important: if you could switch place with one of your characters, which would it be?
For the first time in a couple of months, Jeff, Jo, and Lindsay didn’t have a guest tonight. They answered listener questions and talked about their own experiences with spinoffs and the pros and cons of doing them from a financial and creative standpoint.
Here are a few specifics that they talked about:
Kindle Worlds and whether Jo’s experience writing in Lindsay’s world was worth the time that was invested.
Whether book trailers ever work and are worth doing.
How much to expect to spend for the various types of cover art (i.e. illustrated, photoshop/illustration combination with stock art or with models and photo shoots of your own).
The challenges of using stock photos and finding good images when you’re writing people of color (or just need period-appropriate clothing for fantasy/science fiction).
Whether it’s possible for an epic fantasy story that’s not in a traditional setting or not a traditional story to do well.
Whether you need to create a DBA or anything special when you start publishing under a pen name.
Advice for getting Amazon to make an ebook free when it’s already free in other stores.
Some of the reasons that writing a spinoff might make sense if you had a series that did well (i.e. an almost guaranteed audience, no need to start from scratch with world-building, easier to guess how much the books will earn, based on the sales from the past series).
Some of the reasons you may not want to do a spinoff (i.e. may only appeal to readers of the original series, may lose some of the magic of the original, may be constrained by events that happened in the original).
Today, literary agent Mark Gottlieb chatted with Jo and Lindsay. He’s from the Trident Media Group and represents a lot of genres, including science fiction and fantasy. We asked him about getting an agent as a newer author and also as an established indie author with some titles under your belt.
Here are a few specifics of what we discussed:
Whether print-only deals are still a thing or a likely option for indie authors who sell well.
Whether most clients are coming out of the slush pile or if networking at workshops and conventions is important for getting an agent.
What kinds of rights (foreign rights, audio rights, film rights, etc.) are useful for indie authors to know about.
Whether getting a film deal or an “option” is really that lucrative, or if it’s mostly marketing to help an author sell more books.
The role of agents in a hybrid author’s career.
Whether the traditional publishing houses are signing as many authors as they used to, and if they’re fostering young authors’ careers.
If some sub-genres of science fiction and fantasy do better with self-publishing instead of traditional publishing.
What’s been trending the last couple of years with trad publishers and what they’re looking for now in the science fiction and fantasy genres.
Whether it’s better to query with a series that’s in the middle and selling well, or if you should pitch something brand new.
If it’s possible to get an agent and a publishing deal when your self-published book or books did not sell well.
How much advertising a trad publisher is going to put behind a typical author.
How much marketing you’re expected to do for yourself when you trad publish.
Today, we interviewed young adult urban fantasy and paranormal romance author Monica Leonelle. In addition to writing fiction, she also blogs at Prose on Fire and writes the non-fiction “Growth Hacking for Storytellers” series. We talked about improving productivity for writers and some of the basics of marketing that get overlooked in the urgency to just make more sales.
Here are a few more details of what we discussed:
Going from writing 1,000 to 3,500 words an hour.
How doing some extensive pre-planning (world-building and creating characters) before getting started can make the writing process smoother.
Using “thematic” world building as a way to help discover motivations for characters and also various factions in your worlds.
Outlining stories and scene beats before sitting down to write for the day.
Breaking up your goals into manageable chunks (i.e. I’m going to write 15 or even 8 minutes today rather than starting out saying you’re going to write for 2 hours).
Setting yourself up to meet your goals by having a good mindset.
How important is a regular schedule for productivity?
Monica’s Spanish translation of one of her books and whether it’s been worthwhile.
When it comes to marketing, giving out samples to get new readers to try you rather than simply trying to go straight to the sale.
Moving a person from being a reader to a fan to a true fan or evangelist.
Doing things to “activate your fans” to get them to take actions to help you get the word out.
Whether you should focus your efforts on your most recent release or if the back list should always get attention.
Whether permafree is still working as a way to get “samples” out there.